Category Archives: Whitman and the Civil War; and related issues (such as slavery)

a glaring error

 

“The poet Walt Whitman, in Year of Meteors, described viewing the execution [of John Brown, abolitionist, on December 2, 1859 in Charles Town, Virginia.”

— Wikipedia

https://en.wikipedia.org/wiki/John_Brown_(abolitionist)

 

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No, he most certainly didn’t.

The following are lines from Whitman’s poem “Year of Meteors:

I would sing how an old man, tall, with white hair,
mounted the scaffold in Virginia; (I was at hand—silent I stood, with teeth shut close—I
watch’d; I stood very near you, old man, when cool and indiffer-
ent, but trembling with age and your unheal’d
wounds, you mounted the scaffold;)

— Walt Whitman, Drum-Taps (1865)

Whitman used the first person singular, but he was not speaking from personal experience

 

— posted by Roger W. Smith

  July 2024

post updated

 

My post

Whitman’s Civil War years … a summary from my reading

has been updated with a brief summary of my own, as well as the addition of the chapter “Anti-Slavery Notes” [Whitman’s]  from the the book Walt Whitman’s Workshop: A Collection of Unpublished Manuscripts, edited with an introduction and notes by Clifton Joseph Furness.

 

— Roger W. Smith

May 2, 2023

Whitman’s Civil War years … a summary from my reading

 

George M. Fredrickson, The Inner Civil War

Fredrickson, ‘The Inner Civil War’ (excepts)

 

Gay Wilson Allen, The Solitary Singer

Allen, ‘The Solitary Singer’ (excerpts)

 

Horace Traubel, With Walt Whitman in Camden

from Horace Traubel, ‘With Walt Whitman in Camden’

 

Furness, Walt Whitman’s: Workshop: A Collection of Unpublished Manuscripts

from ‘Walt Whitman’s workshop’

 

Whitman, “Anti-Slavery Notes”

Whitman, ‘Anti-Slavery Notes’

 

CORRESPONDENCE (Walt Whitman)

correspondence

 

Charles I. Glicksberg, “Walt Whitman and the Negro”

Glicksberg, ‘Walt Whitman and the Negro’

 

Martin G. Murray, “Traveling with the Wounded: Walt Whitman and Washington’s Civil War Hospitals”

Martin G. Murray, ‘Wbitman and Washington’s Civil War Hospitals’

 

Ted Genoways. “Whitman and the Civil War”

Ted Genoways, ‘Whitman and the Civil War’

 

SUMMARY

Whitman regarded the slavery issue as secondary. It was the preservation of the Union that mattered most. “Not the negro, not the negro,” Whitman told Horace Traubel. The negro was not the chief thing: the chief thing was to stick together.”

As Charles I. Glicksberg pointed out, Whitman in his poetry nowhere denounces the evils of racial intolerance and racial discrimination. Like Lincoln, he believed that blacks were unfit to be full participants in a democracy, that they were unfit for suffrage.

To Thomas P. Sawyer, Whitman wrote: “I believe this Union will conquer in the end. … This country can’t be broken up by Jeff Davis, & all his damned crew. … life would have no charm for me, if this country should fail after all, and be reduced to take a third rate position, to be domineered over by England & France & the haughty nations of Europe &c and we unable to help ourselves. But I have no thought that will ever be, this country I hope would spend her last drop of blood, and last dollar, rather than submit to such humiliation.”

It was a common belief (and fear) that if the North were defeated, the country would be weakened and in jeopardy as an actor on the world stage.

Shortly after the battle of Bull Run, Whitman wrote the poem “Beat! Beat! Drums!,” which concludes:

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.

Whitman began visiting wounded soldiers in New York hospitals; and after his brother George was wounded, began to do the same in hospitals in Washington, DC, to which he moved. Sympathy for the sick and discouraged made it impossible for him to leave.

 

— posted by Roger W. Smith

   April 2023

 

 

Walt Whitman, “The Great Army of the Sick”

Walt Whitman, ‘The Great Army of the Sick’ – NY Times 2-26-1863

 

Posted here:

Walt Whitman

“The Great Army of the Sick; Military Hospitals in Washington”

The New York Times

February 26, 1863

 

— Roger W. Smith

   January 2023

Vigil Strange I Kept on the Field one Night

 

Walt Whitman

Vigil Strange I Kept on the Field one Night

VIGIL strange I kept on the field one night;
When you my son and my comrade dropt at my side that day,
One look I but gave which your dear eyes return’d with a look I shall never forget,
One touch of your hand to mine O boy, reach’d up as you lay on the ground,
Then onward I sped in the battle, the even-contested battle,
Till late in the night reliev’d to the place at last again I made my way,
Found you in death so cold dear comrade, found your body son of responding kisses, (never again on earth responding,)
Bared your face in the starlight, curious the scene, cool blew the moderate night-wind,
Long there and then in vigil I stood, dimly around me the battle-field spreading,
Vigil wondrous and vigil sweet there in the fragrant silent night,
But not a tear fell, not even a long-drawn sigh, long, long I gazed,
Then on the earth partially reclining sat by your side leaning my chin in my hands,
Passing sweet hours, immortal and mystic hours with you dearest comrade—not a tear, not a word,
Vigil of silence, love and death, vigil for you my son and my soldier,
As onward silently stars aloft, eastward new ones upward stole,
Vigil final for you brave boy, (I could not save you, swift was your death,
I faithfully loved you and cared for you living, I think we shall surely meet again,)
Till at latest lingering of the night, indeed just as the dawn appear’d,
My comrade I wrapt in his blanket, envelop’d well his form,
Folded the blanket well, tucking it carefully over head and carefully under feet,
And there and then and bathed by the rising sun, my son in his grave, in his rude-dug grave I deposited,
Ending my vigil strange with that, vigil of night and battle-field dim,
Vigil for boy of responding kisses, (never again on earth responding,)
Vigil for comrade swiftly slain, vigil I never forget, how as day brighten’d,
I rose from the chill ground and folded my soldier well in his blanket,
And buried him where he fell.

— from Walt Whitman, Drum-Taps (1865)

 

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The absolute simplicity and avoidance of anything “literary,” giving the poem great expressive power.

The Biblical parallelism: “Folded the blanket well, tucking it carefully over head and carefully under feet,”

 

— posted by Roger W. Smith

  January 2023