Tag Archives: Roger W. Smith

In Re Walt Whitman

 

‘In Re Walt Whitman’

front matter

 

Posted here (PDFs above):

In Re Walt Whitman: Edited By His Literary Executors, Horace L. Traubel, Richard Maurice Bucke, Thomas B. Harned (Philadelphia: David McKay, 1893)

 

— posted by Roger W. Smith

 

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In Re Walt Whitman was originally published in a limited edition of one thousand copies. I own copy number 614 of the original edition. It was autographed by Horace Traubel.

 

 

post on immigration

 

 

photo by Roger W. Smith

 

I have reposted my post from June 2018 on immigration

immigration policy, Walt Whitman, and Donald Trump’s wall; or, the Berlin Wall redux

 

immigration policy, Walt Whitman, and Donald Trump’s wall; or, the Berlin Wall redux

 

It includes quotations on the subject from Whitman and Horace Traubel.

 

— Roger W. Smith

  May 26, 2025

Sculley Bradley, Introduction to Horace Traubel, With Walt Whitman in Camden; Volume 4; January 21-April 7, 1889

 

Sculley Bradley, Introduction; With Walt Whitman in Camden, vol. 4

 

Posted here (PDF above):

Sculley Bradley

Introduction

Horace Traubel, With Walt Whitman in Camden; Volume 4; January 21-April 7, 1889

edited by Sculley Bradley

Southern Illinois University Press, 1959

 

— posted by Roger W. Smith

  September 2024

Horace Traubel, Preface to with Walt Whitman in Camden

 

Horace Traubel, Preface; With Walt Whitman in Camden

 

Posted here (PDF above):

Horace Traubel

Preface to Walt Whitman in Camden, Volume 1, March 28-July 14, 1888 (New York: Rowman and Littlefield, Inc. 1961)

 

— posted by Roger W. Smith

   September 2024

a glaring error

 

“The poet Walt Whitman, in Year of Meteors, described viewing the execution [of John Brown, abolitionist, on December 2, 1859 in Charles Town, Virginia.”

— Wikipedia

https://en.wikipedia.org/wiki/John_Brown_(abolitionist)

 

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No, he most certainly didn’t.

The following are lines from Whitman’s poem “Year of Meteors:

I would sing how an old man, tall, with white hair,
mounted the scaffold in Virginia; (I was at hand—silent I stood, with teeth shut close—I
watch’d; I stood very near you, old man, when cool and indiffer-
ent, but trembling with age and your unheal’d
wounds, you mounted the scaffold;)

— Walt Whitman, Drum-Taps (1865)

Whitman used the first person singular, but he was not speaking from personal experience

 

— posted by Roger W. Smith

  July 2024